"Turangalîla Symphonie: 2. Chant d'amour 1" by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung was released on January 1, 1991. Since Turangalîla Symphonie: 2. Chant d'amour 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre De La Bastille, Myung-Whun Chung's "Messiaen: Turangalîla Symphony" album is number 2 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Turangalîla Symphonie: 2. Chant d'amour 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla Symphonie: 2. Chant d'amour 1 by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
String Quartet in G Minor, Op. 10: IV. Très modéré - Très animé | Claude Debussy, Quatuor Ébène | A Major | 0 | 11B | 85 BPM | ||
Fontane di Roma (The Fountains of Rome): II. La fontana del Tritone mattino | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 96 BPM | ||
Sinfonietta pour orchestre: 1. Allegro con fuoco | Francis Poulenc, Orchestre National De France, Charles Dutoit | F Major | 1 | 7B | 71 BPM | ||
Piano Sonata No. 11 In A, K.331 -"Alla Turca": 1. Tema (Andante grazioso) con variazioni | Wolfgang Amadeus Mozart, Yvonne Loriod | D Minor | 1 | 7A | 76 BPM | ||
Symphony No.1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | G Major | 1 | 9B | 76 BPM | ||
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM |
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