"Orontea: "Intorno all'idiol mio"" by Antonio Cesti, Beniamino Gigli, Rinaldo Zamboni, Unknown was released on August 11, 2009. The duration of Orontea: "Intorno all'idiol mio" is about 3 minutes long, at 3:28. Based on our data, "Orontea: "Intorno all'idiol mio"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 23 in Ancient Arias & Sacred Songs by Beniamino Gigli, Rinaldo Zamboni, Vito Carnevali, Unknown. Orontea: "Intorno all'idiol mio" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orontea: "Intorno all'idiol mio" by Antonio Cesti, Beniamino Gigli, Rinaldo Zamboni, Unknown is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Vespro della Beata Vergine, SV 206: Concerto "Duo Seraphim" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Emiliano Gonzalez Toro, Zachary Wilder, Antonin Rondepierre | G Minor | 2 | 6A | 68 BPM | ||
Mass in B Minor, BWV 232: Agnus Dei (Alto) | Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 126 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Orontea: Act III, scene 1 | Antonio Cesti, Concerto Vocale, Isabelle Poulenard, René Jacobs | G Minor | 0 | 6A | 140 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 112 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM |
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