"Grisélidis, Act 2: Je suis l'oiseau que le frisson d'hiver" by Jules Massenet, Rolando Villazón, Evelino Pidò, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France was released on February 14, 2005. The duration of Grisélidis, Act 2: Je suis l'oiseau que le frisson d'hiver is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Grisélidis, Act 2: Je suis l'oiseau que le frisson d'hiver's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rolando Villazón's "Gounod & Massenet: Arias" album is number 8 out of 15. Grisélidis, Act 2: Je suis l'oiseau que le frisson d'hiver is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grisélidis, Act 2: Je suis l'oiseau que le frisson d'hiver by Jules Massenet, Rolando Villazón, Evelino Pidò, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse tres lente | Jules Massenet, Maurizio Zaccaria | B♭ Major | 1 | 6B | 88 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
III. Andante | Clara Schumann, Anne-Sophie Mutter, Pablo Ferrandez, Lambert Orkis | G Major | 1 | 9B | 101 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Gautier Capuçon, Gabriela Montero | D♭ Major | 0 | 3B | 84 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM |
Section: 0.8240668773651123
End: 0.8278214931488037