"Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Qui tollis peccata mundi" by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein was released on January 1, 1996. Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Qui tollis peccata mundi is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 5 out of 21 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Qui tollis peccata mundi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Qui tollis peccata mundi by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die schöne Müllerin, D. 795: III. Halt! | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | B♭ Major | 1 | 6B | 76 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": III. Con moto moderato | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Mass in D Major, Op. 123, "Missa Solemnis": Gloria: Domine Deus | Ludwig van Beethoven, Pamela Coburn, Florence Quivar, Aldo Baldin, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Major | 2 | 10B | 130 BPM | ||
Das Rheingold, WWV 86A / Vierte Szene: "So grüss' ich die Burg" | Richard Wagner, Josephine Veasey, Gerhard Stolze, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 168 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Sir Simon Rattle, Jonas Kaufmann, Berliner Philharmoniker | D♭ Major | 1 | 3B | 91 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Nur wer der Minne Macht entsagt" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | ||
Die Zauberflöte, K. 620 / Zweiter Aufzug: "Ach, ich fühl's, es ist verschwunden" | Wolfgang Amadeus Mozart, Evelyn Lear, Berliner Philharmoniker, Karl Böhm | G Major | 2 | 9B | 127 BPM | ||
Requiem: IId. Liber scriptus | Giuseppe Verdi, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 71 BPM |
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