Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan's 'Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": III. Con moto moderato' came out on January 1, 1990. Since Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": III. Con moto moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan's "Mendelssohn: 5 Symphonies" album is number 7 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": III. Con moto moderato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": III. Con moto moderato by Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Minor, Op. 20: 3. Allegretto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 87 BPM | ||
Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai | Sergei Prokofiev, Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 1 | 2B | 170 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 11, Limoges, le marché (La grande nouvelle) | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | G Major | 1 | 9B | 87 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 123 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 85 BPM |
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