"Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso" by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1987. The duration of Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Brahms: Symphony No.2 In D Major, Op. 73; Variations On A Theme By Joseph Haydn, Op. 56a by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan. Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations On A Theme By Haydn, Op.56a: Variation VII: Grazioso by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 9, Ballet of the Unhatched Chicks | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | F♯ Major | 0 | 2B | 179 BPM | ||
Eine Alpensinfonie, Op.64, TrV 233: 18. Stille vor dem Sturm | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 133 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 58 BPM | ||
Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | D Minor | 2 | 7A | 158 BPM | ||
Aufforderung zum Tanze, Op. 65, J.260 | Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 111 BPM | ||
Symphony No. 10 in E Minor, Op. 93: IV. Andante - Allegro | Dmitri Shostakovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 81 BPM |
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