Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis made "Concerto a 5 in G Major, Op. 9, No. 6: III. Allegro" available on November 8, 1995. The duration of Concerto a 5 in G Major, Op. 9, No. 6: III. Allegro is about 3 minutes long, at 3:17. Based on our data, "Concerto a 5 in G Major, Op. 9, No. 6: III. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 21 in Albinoni: Oboe Concertos, Vol. 2 by Tomaso Albinoni. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Concerto a 5 in G Major, Op. 9, No. 6: III. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto a 5 in G Major, Op. 9, No. 6: III. Allegro by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in G Major, Op. 9, No. 6: II. Adagio non troppo | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | E Minor | 2 | 9A | 83 BPM | ||
Concerto In D Major Op . 7 No. 6: II. Adagio | Tomaso Albinoni, Instrumental, Brynjar Hoff, Ian Watson, English Chamber Orchestra | F Major | 1 | 7B | 109 BPM | ||
Concerto No 2 in E minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 89 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
John March, Op. 285 (arr. J. Georgiadis for orchestra) | Carl Michael Ziehrer, John Georgiadis, Czech Philharmonic Chamber Orchestra | D Major | 3 | 10B | 118 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro | Pietro Locatelli, Capella Istropolitana | D Major | 3 | 10B | 136 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM |
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