Kurt Weill, London Sinfonietta, David Atherton made "Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott" available on January 1, 1976. The duration of Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #4 out of 42 tracks. The popularity of Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 185 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 4. The Ballad Of Pleasant Living: Foxtrott being at 185 BPM, the half-time would be 92 BPM with a double-time of 370 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Warsaw Concerto | Richard Addinsell, Cristina Ortiz, Royal Philharmonic Orchestra, Moshe Atzmon | B Major | 1 | 1B | 74 BPM | ||
Die Dreigroschenoper: Eifersuchtsduett | Kurt Weill, Rolf Boysen, Susanne Tremper, Ute Lemper, Rias-Sinfonietta Berlin, John Mauceri | E Major | 2 | 12B | 116 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Hahn: 20 Mélodies: No. 20 À Chloris | Philippe Jaroussky | D Major | 0 | 10B | 70 BPM | ||
Erbarme dich, mein Gott (From the St. Matthew Passion) | Johann Sebastian Bach, Eugen Cicero | E Minor | 3 | 9A | 136 BPM | ||
Nocturne No. 2 in E-Flat Major, Op. 9, No. 2 (Arr. R. Pontinen and M. Frost) | Frédéric Chopin, Martin Fröst, Roland Pöntinen | D Major | 2 | 10B | 98 BPM | ||
Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM |
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