Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn's 'Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace' came out on May 29, 2021. Since Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Erich Wolfgang Korngold's "Korngold - Great Recordings" album is number 59 out of 69. Based on our statistics, Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace by Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
Nonet: I. A Promenade | André Previn, Anne-Sophie Mutter, Mohamed Hiber, Hwayoon Lee, Lionel Martin, Elias David Moncado, Samuel Nebyu, Matthew Lipman, Margarita Balanas, Dominik Wagner | D Minor | 1 | 7A | 104 BPM | ||
Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave" | Felix Mendelssohn, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 134 BPM | ||
Violin Concerto in D Major, Op. posth., No. 2: Adagio | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 104 BPM | ||
Beethoven: String Quartet No. 7 in F Major, Op. 59 No. 1, "Razumovsky": IV. Allegro (Russian Theme) | Ludwig van Beethoven, Quatuor Ébène | F Major | 3 | 7B | 118 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM |
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