Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave" - Felix Mendelssohn, André Previn, London Symphony Orchestra Information

Acousticness: 78%
Danceability: 20%
Energy: 16%
Instrumentalness: 91%
Liveness: 12%
Loudness: 73%
Speechiness: 4%
Valence: 8%
Popularity: 24%
Loudness: -16.379 dB

Summary

"Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave"" by Felix Mendelssohn, André Previn, London Symphony Orchestra was released on January 1, 1979. Since Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, André Previn, London Symphony Orchestra's "Mendelssohn: Symphony No. 4 "Italian", The Hebrides, Ruy Blas & Overture from A Midsummer Night's Dream" album is number 5 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave" BPM

We consider the tempo marking of Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave" by Felix Mendelssohn, André Previn, London Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Mendelssohn: The Hebrides, Op. 26, MWV P 7 "Fingal's Cave" Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto	Robert Schumann, Mikhail Pletnev	D♭ Minor	1	12A	69 BPM
24 Preludes, Op. 28: Prelude No. 9 in E Major, Op. 28, No. 9	Frédéric Chopin, Idil Biret	E Major	0	12B	78 BPM
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto	Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze	B♭ Major	0	6B	83 BPM
Five Pieces For Two Violins and Piano: V. Polka	Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan	D Major	1	10B	167 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	B♭ Major	2	6B	92 BPM
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation V	Franz Schubert, Andreas Staier, Alexander Melnikov	E♭ Major	0	5B	66 BPM
Sibelius: 13 Pieces, Op. 76: No. 2, Étude	Jean Sibelius, Leif Ove Andsnes	A Minor	1	8A	127 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo	Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	E Major	0	12B	81 BPM
Bridal Procession, Op. 19 No. 2	Edvard Grieg, Yuri Temirkanov	A♭ Major	0	4B	72 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio	Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky	D♭ Major	0	3B	89 BPM

ISRC: GBAYC2003425
Label: L-M Records/RCA Records

Section: 0.8367347717285156

End: 0.8421015739440918