On 1957, the song "6 Little Preludes: No. 1 in C Major, BWV 933" was released by Johann Sebastian Bach, Glenn Gould. With 6 Little Preludes: No. 1 in C Major, BWV 933 being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 11 out of 90. In terms of popularity, 6 Little Preludes: No. 1 in C Major, BWV 933 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 6 Little Preludes: No. 1 in C Major, BWV 933 by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Les Juméles (12e ordre) | François Couperin, Alexandre Tharaud | E Major | 0 | 12B | 69 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Prelude, Fugue And Allegro In E Flat Major, BWV 998 : Prelude, Fugue And Allegro In E Flat Major, BWV 998 | Janos Sebestyen, Johann Sebastian Bach | E♭ Major | 2 | 5B | 135 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
9 Little Preludes, BWV 924-932: Praeludium in D Major, BWV 925 | Johann Sebastian Bach, Glenn Gould | D Major | 2 | 10B | 142 BPM | ||
Piano Concerto No. 1 C Major, Op. 15: Cadenza by Glenn Gould | Ludwig van Beethoven, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra | C Major | 3 | 8B | 92 BPM | ||
(Ré)inventio: No. 3 in D Major [After J.S. Bach's BWV 774] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM |
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