Ludwig van Beethoven, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra made "Piano Concerto No. 1 C Major, Op. 15: Cadenza by Glenn Gould" available on 1958. The duration of Piano Concerto No. 1 C Major, Op. 15: Cadenza by Glenn Gould is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Piano Concerto No. 1 C Major, Op. 15: Cadenza by Glenn Gould's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 8 in Beethoven: Piano Concerto No. 1 in C Major, Op. 15 - Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056 (Gould Remastered) by Glenn Gould, Vladimir Golschmann. In terms of popularity, Piano Concerto No. 1 C Major, Op. 15: Cadenza by Glenn Gould is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Piano Concerto No. 1 C Major, Op. 15: Cadenza by Glenn Gould by Ludwig van Beethoven, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fidelio, Op. 72, Act I: March | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
Fantasia No. 1 in G Major "Voluntary for My Lady Nevell" | William Byrd, Glenn Gould | G Major | 1 | 9B | 91 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Italian Concerto in F Major BMV971 | Artur Schnabel | F Major | 2 | 7B | 123 BPM | ||
13 Variations On A Theme By Anselm Hüttenbrenner, D.576: Thema. Andantino | Franz Schubert, Wilhelm Kempff | A Minor | 0 | 8A | 126 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Keyboard Concerto No. 13 in F Major, HWV 295, "The Cuckoo and The Nightingale": II. Allegro | George Frideric Handel, Matthias Kirschnereit, German Chamber Academy Neuss, Lavard Skou Larsen | D Minor | 0 | 7A | 176 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.1 in C major BWV870 | Daniel Barenboim | C Major | 1 | 8B | 181 BPM | ||
Keyboard Sonata No. 48 in C Minor | Antonio Soler, Mateusz Borowiak | C Minor | 4 | 5A | 145 BPM |
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