Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay made "Fidelio, Op. 72, Act I: March" available on September 13, 1999. The duration of Fidelio, Op. 72, Act I: March is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Fidelio, Op. 72, Act I: March's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Fidelio, Op. 72, Act I: March's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Fidelio, Op. 72, Act I: March by Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Fidelio, Op. 72, Act I: Aria and Chorus. Ha! Welch ein Augenblick! (Pizarro, the Watch) | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
Wagner: Tannhäuser, Act 2: "Was hör' ich!" (Tutti) | Richard Wagner, Bernard Haitink, Bernd Weikl, Bavarian Radio Chorus, Donald Litaker, Klaus König, Kurt Moll, Lucia Popp, Rainer Scholze, Siegfried Jerusalem, Walton Groenroos, Waltraud Meier, Bavarian Radio Symphony Orchestra | B Major | 3 | 1B | 129 BPM | ||
Faschingsschwank aus Wien, Op. 26: IV. Intermezzo | Robert Schumann, Jenő Jandó | E♭ Minor | 1 | 2A | 114 BPM | ||
Winterreise, Op. 89, D. 911: No. 1. Gute Nacht | Franz Schubert, Kurt Moll, Cord Garben | A Minor | 1 | 8A | 103 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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