"Faschingsschwank aus Wien, Op. 26: IV. Intermezzo" by Robert Schumann, Jenő Jandó was released on October 19, 1993. With Faschingsschwank aus Wien, Op. 26: IV. Intermezzo being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Schumann, R.: Kreisleriana / Faschingsschwank Aus Wien". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Faschingsschwank aus Wien, Op. 26: IV. Intermezzo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faschingsschwank aus Wien, Op. 26: IV. Intermezzo by Robert Schumann, Jenő Jandó having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
3 Etudes Opus 104b: No. 2 in F Major | Felix Mendelssohn, Bertrand Chamayou | F Major | 1 | 7B | 112 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Scherzo und Marsch, S177/R20: Marsch | Franz Liszt, Jenő Jandó | B♭ Major | 2 | 6B | 102 BPM | ||
Spanische Liebeslieder, Op. 138: 2. Tief im Herzen trag' ich Pein | Robert Schumann, Emanuel Geibel, Sibylla Rubens, Gerold Huber, James Cheung | G Minor | 0 | 6A | 72 BPM | ||
Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM |
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