"La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso" by Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori was released on January 6, 2017. With La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Francesca Caccini, Mauro Borgioni, Allabastrina, La Pifarescha, Elena Sartori's "La liberazione di Ruggiero dall'isola di Alcina" album is number 3 out of 31. La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso by Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | ||
Requiem: Salvator mundi | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Robinson | G Major | 0 | 9B | 139 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
La billiarda | Giorgio Mainerio, Ensemble Dramsam, La Pifarescha, Fabio Accurso | D Minor | 2 | 7A | 135 BPM | ||
Warum ist das Licht gegeben | Johannes Brahms, Voces8 | D Minor | 1 | 7A | 76 BPM | ||
Purcell: Blessed Are They That Fear the Lord, Z. 5 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Peter Castle, Jonathan Robarts, Francis Grier, Michael Cockerham, Academy of St. Martin in the Fields | G Minor | 0 | 6A | 80 BPM | ||
Te lucis ante terminum | Francesca Caccini, Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | F Major | 0 | 7B | 82 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM |
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