"Seven Songs, Op. 17:6 Till kvällen (In the Evening)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. With Seven Songs, Op. 17:6 Till kvällen (In the Evening) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Seven Songs, Op. 17:6 Till kvällen (In the Evening) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Seven Songs, Op. 17:6 Till kvällen (In the Evening) by Birgit Nilsson, Geoffrey Parsons is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Songs, Op 48: en Drøm (A Dream) | Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 87 BPM | ||
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia Orchestra | B♭ Minor | 0 | 3A | 79 BPM | ||
Carmen / Act 3: Air: "Je dis que rien ne m'épouvante" | Georges Bizet, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 81 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Act II: Tanti affeti in tal momento | Gioachino Rossini, Montserrat Caballé, Carlo Felice Cillario, RCA Italiana Opera Orchestra | E♭ Major | 2 | 5B | 126 BPM | ||
Flickan Under Nymånen (The Girl Under the New Moon) | Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 87 BPM |
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