Birgit Nilsson, Geoffrey Parsons's 'Flickan Under Nymånen (The Girl Under the New Moon)' came out on March 3, 1953. The duration of Flickan Under Nymånen (The Girl Under the New Moon) is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Flickan Under Nymånen (The Girl Under the New Moon)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Flickan Under Nymånen (The Girl Under the New Moon) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Flickan Under Nymånen (The Girl Under the New Moon) by Birgit Nilsson, Geoffrey Parsons having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Schlange, was hab ich - Live | Richard Strauss, Birgit Nilsson, Ewald Aichberger, Ruth Hesse, Walter Berry, Vienna State Opera Orchestra, Karl Böhm | D Major | 2 | 10B | 78 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Willst du mir Minne schenken | Richard Wagner, Birgit Nilsson, Wolfgang Windgassen, Wiener Philharmoniker, Sir Georg Solti | E Major | 3 | 12B | 82 BPM | ||
Salome, Op. 54, TrV 215 / Scene 3: "Jochanaan! Ich bin verliebt in deinen Leib" | Richard Strauss, Birgit Nilsson, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E Major | 3 | 12B | 80 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Götterdämmerung, WWV 86D / Dritter Aufzug: "Schweigt eures Jammers jauchzenden Schwall" | Richard Wagner, Gundula Janowitz, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 78 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: Ein ernster Tag, ein großer Tag! | Richard Strauss, Wilma Lipp, Franz Kasemann, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 125 BPM | ||
Il Trovatore / Act 4: "Prima che d'altri vivere" | Giuseppe Verdi, Joan Sutherland, Luciano Pavarotti, Ingvar Wixell, Marilyn Horne, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 4 | 3A | 90 BPM | ||
Suor Angelica: Ah, son dannata! | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | A Major | 1 | 11B | 109 BPM |
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