- BPM
- 132
- Key
- E Minor
- Camelot
- 9A
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" - Carl Orff, John Shirley-Quirk, Norma Burrowes, Southend Boys Choir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti Information
- Acousticness
- 95%
- Danceability
- 46%
- Energy
- 38%
- Instrumentalness
- 0%
- Liveness
- 92%
- Loudness
- 74%
- Speechiness
- 6%
- Valence
- 42%
- Popularity
- 24%
- Loudness
- -15.891 dB
Summary
Carl Orff, John Shirley-Quirk, Norma Burrowes, Southend Boys Choir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti made "Carmina Burana / 3. Cour d'amours: "Tempus est iocundum"" available on January 1, 1975. The duration of Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: "Tempus est iocundum"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #22. Based on our statistics, Carmina Burana / 3. Cour d'amours: "Tempus est iocundum"'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" BPM
With Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" by Carl Orff, John Shirley-Quirk, Norma Burrowes, Southend Boys Choir, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Carmina Burana / 3. Cour d'amours: "Tempus est iocundum" Key
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | F Major | 1 | 7B | 138 BPM | |
 | Grieg: Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | |
 | Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | |
 | Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | |
 | The Magic Flute, K. 620: Dies Bildnis ist bezaubernd schön | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 79 BPM | |
 | Don Giovanni, K. 527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Josef Krips, Wiener Philharmoniker, Vienna State Opera Chorus, Cesare Siepi, Fernando Corena, Kurt Böhme, Suzanne Danco, Kurt Boehme, Anton Dermota, Lisa della Casa, Hilde Gueden, Walter Berry | B♭ Major | 3 | 6B | 80 BPM | |
 | Il Barbiere di Siviglia: Una voce poco fa | Gioachino Rossini, Marilyn Horne, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | C Minor | 1 | 5A | 61 BPM | |
 | 12. Stay, we must not lose our senses | Arthur Sullivan, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | G Major | 2 | 9B | 116 BPM | |
 | Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | |
 | Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0986206531524658
End: 1.104374647140503