Arthur Sullivan, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey made "12. Stay, we must not lose our senses" available on January 1, 1968. With 12. Stay, we must not lose our senses being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Isidore Godfrey's "Gilbert & Sullivan: The Pirates of Penzance" album is number 13 out of 40. In terms of popularity, 12. Stay, we must not lose our senses is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 12. Stay, we must not lose our senses by Arthur Sullivan, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) | Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 111 BPM | ||
When Federic Was a Little Lad | The Pirates Of Penzance | F Minor | 3 | 4A | 110 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Don Giovanni, K. 527, Act I: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Kathleen Battle, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 89 BPM | ||
Delibes: Lakmé, Act 2: "Lakmé, ton doux regard se voile" (Nilakantha) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Roger Soyer, Orchestre du Theatre National de IOpera-Comique | A♭ Major | 2 | 4B | 137 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Stay, We Must Not Lose Our Senses | The Pirates Of Penzance | G Major | 5 | 9B | 137 BPM | ||
Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) | Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | D♭ Minor | 1 | 12A | 85 BPM | ||
La traviata / Act 1: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Chorus, James Levine | A♭ Major | 4 | 4B | 94 BPM | ||
Verdi: La forza del destino, Act 3: "Oh, tu che in seno agli angeli" (Don Alvaro) | Giuseppe Verdi, Riccardo Muti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 117 BPM |
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