- BPM
- 111
- Key
- F Minor
- Camelot
- 4A
Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) - Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse Information
- Acousticness
- 96%
- Danceability
- 48%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 26%
- Popularity
- 3%
- Loudness
- -27.929 dB
Summary
Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse's 'Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès)' came out on 2003. With Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 68 in Bizet : Carmen by Georges Bizet, Angela Gheorghiu, Michel Plasson. In terms of popularity, Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) BPM
The tempo marking of Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) by Georges Bizet, Elisabeth Vidal, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Carmen, Act IV, No.26 Marche et Choeur: Carmen, un bon conseil (Frasquita/Carmen/Mercédès) Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Non mi dir, bell'idol mio" | Wolfgang Amadeus Mozart, Diana Damrau, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 1 | 7B | 110 BPM | |
![Cavalleria Rusticana (1987 Digital Remaster): Regina Coeli [Easter Hymn] (Chorus) by Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra](https://i.scdn.co/image/ab67616d00001e029da3890320596b8f6520bf68) | Cavalleria Rusticana (1987 Digital Remaster): Regina Coeli [Easter Hymn] (Chorus) | Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | G Major | 1 | 9B | 65 BPM | |
 | Tosca / Act III: "Presto, su! Mario!" | Giacomo Puccini, Katia Ricciarelli, Heinz Zednik, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan, Schoeneberger Saengerknaben, Chor der Deutschen Oper Berlin | E♭ Minor | 4 | 2A | 85 BPM | |
 | Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | |
 | Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | |
 | Carmen (Sung in Italian): Act III: Qui dei contrabbandier (Micaela) | Georges Bizet, Giulietta Simionato, Gabriella Tucci, Mario del Monaco, Scipio Colombo, Santa Chissari, Anna Di Stasio, Arturo La Porta, Mariano Caruso, Paolo Montarsolo, Gabriele De Julis, Tokyo Broadcasting Chorus, Nikkai Chorus Group, Fujiwara Opera Chorus, NHK Symphony Orchestra, Nino Verchi | D Major | 1 | 10B | 0 BPM | |
 | Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Veni creator spiritus" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | A♭ Major | 3 | 4B | 67 BPM | |
 | Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.813328742980957
End: 0.816469669342041