"Cavalleria Rusticana (1987 Digital Remaster): Regina Coeli [Easter Hymn] (Chorus)" by Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra was released on January 9, 2007. The duration of Cavalleria Rusticana (1987 Digital Remaster): Regina Coeli [Easter Hymn] (Chorus) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Cavalleria Rusticana (1987 Digital Remaster): Regina Coeli [Easter Hymn] (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Riccardo Muti - The Platinum Collection 2". In this album, this song's track order is #5. Cavalleria Rusticana (1987 Digital Remaster): Regina Coeli [Easter Hymn] (Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalleria Rusticana (1987 Digital Remaster): Regina Coeli [Easter Hymn] (Chorus) by Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
La gazza ladra: Sinfonia | Gioachino Rossini, Virtuosi Brunensis, Alberto Zedda | E Major | 2 | 12B | 93 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Romeo at Juliet's Tomb | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | C Major | 2 | 8B | 173 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Water Music Suite No. 1 in F: Adagio e staccato | Berliner Philharmoniker, Riccardo Muti | D Minor | 1 | 7A | 77 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Romeo and Juliet Suite: Death of Tybalt | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | C Minor | 4 | 5A | 149 BPM |
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