Romeo and Juliet Suite: Death of Tybalt
Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti
Prokofiev: Suite from Romeo & Juliet (Live)
4:37 October 14, 2014
BPM
149
Key
C Minor
Camelot
5A

Embed

Share Link

Romeo and Juliet Suite: Death of Tybalt - Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti Information

Acousticness
88%
Danceability
37%
Energy
35%
Instrumentalness
92%
Liveness
4%
Loudness
76%
Speechiness
5%
Valence
39%
Popularity
Loudness
-14.189 dB

Summary

Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti's 'Romeo and Juliet Suite: Death of Tybalt' came out on October 14, 2014. With this song being about 5 minutes long, at 4:37, "Romeo and Juliet Suite: Death of Tybalt" by Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Prokofiev: Suite from Romeo & Juliet (Live)". In this album, this song's track order is #7. Based on our statistics, Romeo and Juliet Suite: Death of Tybalt's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Romeo and Juliet Suite: Death of Tybalt BPM

With Romeo and Juliet Suite: Death of Tybalt by Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Romeo and Juliet Suite: Death of Tybalt Key

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo by Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsDouble Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppoJohannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the FieldsA Minor28A86 BPM
Symphony No.8 in E flat - Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus"Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg SoltiA♭ Major54B132 BPM
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanPeer Gynt Suite No.1, Op.46: 3. Anitra's DanceEdvard Grieg, Berliner Philharmoniker, Herbert von KarajanD Minor07A84 BPM
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi AllegrettoGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaG Major19B88 BPM
Pictures At An Exhibition: The Great Gate Of Kiev by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: The Great Gate Of KievModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniE♭ Major25B58 BPM
La mer, L. 109: III. Dialogue of the Wind and the Sea by Claude Debussy, Berliner Philharmoniker, Herbert von KarajanLa mer, L. 109: III. Dialogue of the Wind and the SeaClaude Debussy, Berliner Philharmoniker, Herbert von KarajanD♭ Major23B78 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico by Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigBruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energicoMax Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigG Major29B90 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16 Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": II. Andante con motoFelix Mendelssohn, Leonard Bernstein, New York PhilharmonicD Major110B65 BPM
Firebird Suite - 1919 Version by Chicago Symphony OrchestraFirebird Suite - 1919 VersionChicago Symphony OrchestraB Major11B80 BPM
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) by Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia OrchestraRimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt)Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia OrchestraB Minor010A146 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7069439888000488

End: 0.7114067077636719