On 1962, the song "Sonata No. 2 in A Major, BWV 1015: II. Allegro assai" was released by Johann Sebastian Bach, Glenn Gould. The duration of Sonata No. 2 in A Major, BWV 1015: II. Allegro assai is about 3 minutes long, at 3:13. Based on our data, "Sonata No. 2 in A Major, BWV 1015: II. Allegro assai" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 120 in the song's album "The Complete Bach Collection Vol. 3 / Glenn Gould". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Sonata No. 2 in A Major, BWV 1015: II. Allegro assai is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonata No. 2 in A Major, BWV 1015: II. Allegro assai by Johann Sebastian Bach, Glenn Gould having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Suite for Solo Cello No. 6 in D Major, BWV 1012: V. Gavotte I-II | Johann Sebastian Bach, Mischa Maisky | D Major | 1 | 10B | 65 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 1 | 5A | 169 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
Concerto pour orgue | Johann Sebastian Bach, Clément Geoffroy, Loris Barrucand | A♭ Minor | 5 | 1A | 112 BPM |
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