La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!"
Hector Berlioz, Dietrich Fischer-Dieskau, Yvonne Minton, Plácido Domingo, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham
Romantic Vol.3
2:42 May 23, 2020
BPM
77
Key
D Major
Camelot
10B

Embed

Share Link

La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" - Hector Berlioz, Dietrich Fischer-Dieskau, Yvonne Minton, Plácido Domingo, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham Information

Acousticness
99%
Danceability
14%
Energy
10%
Instrumentalness
51%
Liveness
8%
Loudness
63%
Speechiness
4%
Valence
7%
Popularity
Loudness
-22.306 dB

Summary

"La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!"" by Hector Berlioz, Dietrich Fischer-Dieskau, Yvonne Minton, Plácido Domingo, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham was released on May 23, 2020. The duration of La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 75 in the song's album "Romantic Vol.3". In this album, this song's track order is #49. Furthermore, we believe that the track originated from Germany. La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" BPM

With La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" by Hector Berlioz, Dietrich Fischer-Dieskau, Yvonne Minton, Plácido Domingo, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Berlioz: Les Troyens, Op. 29, H. 133, Act 4: Berlioz: Les Troyens, Op. 29, H. 133, Act 4: "Assez, ma soeur" (Didon, Iopas)Hector Berlioz, John Nelson, Cyrille Dubois, Joyce DiDonato, Orchestre Philharmonique De StrasbourgA Minor08A76 BPM
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - by Richard Strauss, Chicago Symphony Orchestra, Bernard HaitinkEin Heldenleben, Op. 40, TrV 190: Der Held (The Hero) -Richard Strauss, Chicago Symphony Orchestra, Bernard HaitinkE♭ Major25B88 BPM
L'Arlésienne Suite No.1: Carillon by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von KarajanL'Arlésienne Suite No.1: CarillonGeorges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von KarajanE Major012B65 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua by Modest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelPictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortuaModest Mussorgsky, Wiener Philharmoniker, Gustavo DudamelF♯ Major02B69 BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live by Gustav Mahler, Berliner Philharmoniker, Claudio AbbadoSymphony No. 1 in D Major: 2. Kräftig bewegt - LiveGustav Mahler, Berliner Philharmoniker, Claudio AbbadoA Major111B96 BPM
Rienzi: Overture by Richard Wagner, Wiener Philharmoniker, Sir Georg SoltiRienzi: OvertureRichard Wagner, Wiener Philharmoniker, Sir Georg SoltiD Major310B99 BPM
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 1, P. 109: II. Gagliarda: Allegro MarcatoOttorino Respighi, RTÉ National Symphony OrchestraD Major110B90 BPM
Symphony No. 2 in B Minor: I. Allegro by Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos KleiberSymphony No. 2 in B Minor: I. AllegroAlexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos KleiberG Major39B137 BPM
Le corsaire, ouverture, Op. 21 by Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth JeanLe corsaire, ouverture, Op. 21Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth JeanG Major19B92 BPM
Symphony No. 41 in C Major, K. 551 Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegroWolfgang Amadeus Mozart, Wiener Philharmoniker, Karl BöhmG Major29B141 BPM
ISRC
DEF057830138
Label
L-M Records/RCA Records

Section: 0.8817715644836426

End: 0.8869302272796631