"La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!"" by Hector Berlioz, Dietrich Fischer-Dieskau, Yvonne Minton, Plácido Domingo, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham was released on May 23, 2020. The duration of La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 75 in the song's album "Romantic Vol.3". In this album, this song's track order is #49. Furthermore, we believe that the track originated from Germany. La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Damnation de Faust, Op. 24 / Part 3: Scène 14. "Allons, il est trop tard!" by Hector Berlioz, Dietrich Fischer-Dieskau, Yvonne Minton, Plácido Domingo, Daniel Barenboim, Orchestre de Paris, Choeur de l'Orchestre de Paris, Arthur Oldham having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berlioz: Les Troyens, Op. 29, H. 133, Act 4: "Assez, ma soeur" (Didon, Iopas) | Hector Berlioz, John Nelson, Cyrille Dubois, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | A Minor | 0 | 8A | 76 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Le corsaire, ouverture, Op. 21 | Hector Berlioz, Polish State Philharmonic Orchestra, Katowice, Kenneth Jean | G Major | 1 | 9B | 92 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM |
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