Joseph Haydn, Nacole Palmer, Kirsten Sollek, Daniel Mutlu, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover made "Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Credo. Et vitam venturi" available on September 29, 2009. With Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Credo. Et vitam venturi being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn, Owen Burdick, Rebel Baroque Orchestra's "Haydn, J.: Masses (Complete) (Trinity Choir, Rebel Baroque Orchestra, Burdick, Glover) (8 Cd Box Set)" album is number 14 out of 157. On top of that, Hong Kong appears to be the country where this track was created. Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Credo. Et vitam venturi is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Credo. Et vitam venturi by Joseph Haydn, Nacole Palmer, Kirsten Sollek, Daniel Mutlu, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 3. Marziale un poco meno allegro | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 123 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F Major | 1 | 7B | 111 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Der Fischer und das Milchmädchen: VII. Allegretto galante | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM |
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