"Der Fischer und das Milchmädchen: VII. Allegretto galante" by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi was released on October 28, 2022. With Der Fischer und das Milchmädchen: VII. Allegretto galante being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi's "Meyerbeer: Overtures & Stage Music" album is number 9 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Der Fischer und das Milchmädchen: VII. Allegretto galante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Fischer und das Milchmädchen: VII. Allegretto galante by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Melodische Tonstücke for Piano, Op. 70: No. 7 Prelude | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | E♭ Major | 0 | 5B | 136 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Robert le diable, Act 2: "Avec bonté voyez ma peine" (Robert, Isabelle) | Giacomo Meyerbeer, Bryan Hymel, Patrizia Ciofi, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | A Major | 1 | 11B | 94 BPM | ||
Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 81 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Robert le diable, Act 1: "O mon prince!" (Alice) | Giacomo Meyerbeer, Carmen Giannattasio, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | B♭ Major | 1 | 6B | 165 BPM | ||
Robert le diable, Act 3: Air de ballet | Giacomo Meyerbeer, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren | A Major | 0 | 11B | 127 BPM |
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