"Robert le diable, Act 3: Air de ballet" by Giacomo Meyerbeer, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren was released on November 19, 2013. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Giacomo Meyerbeer, Bryan Hymel, Martial Defontaine, Carmen Giannattasio, Patrizia Ciofi, Alastair Miles, Carlo Striuli, Francesco Pittari, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren's "Meyerbeer: Robert le diable" album is number 41 out of 60. Based on our statistics, Robert le diable, Act 3: Air de ballet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robert le diable, Act 3: Air de ballet by Giacomo Meyerbeer, Symphonic Orchestra of the Teatro Verdi, Salerno, Daniel Oren to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Les Huguenots / Act 1: Non loin des vieiles tours...Plus blanche que la | Giacomo Meyerbeer, Anastasios Vrenios, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 137 BPM | ||
Meyerbeer: Les Huguenots: Sous le beau ciel de la Touraine - Act One | Giacomo Meyerbeer, Nicolai Gedda, Jaroslav Stanic, Kurt Equiluz, Harald Neukirch, Pedro Farres, Ewald Aichberger, Radio Austria Chorus | C Major | 5 | 8B | 140 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
Concerto for 2 Flutes in D Major (Ed. P. Gallois): II. Largo | Saverio Mercadante, Patrick Gallois, Kazunori Seo, Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 171 BPM | ||
Symphony No. 51 in D Major: I. Allegro | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 1 | 10B | 77 BPM | ||
Concertstück in F Major, Op. 86: III. Sehr Lebhaft | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | F Major | 1 | 7B | 132 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act I: Dieu que le monde révère | Giacomo Meyerbeer, Andreas Bauer Kanabas, Thomas Faulkner, Magnus Baldvinsson, Michael McCown, Frankfurt Opera Chorus, Antonello Manacorda, Frankfurter Opern- und Museumsorchester | C Major | 2 | 8B | 133 BPM |
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