"Loch Lomond (Arr. D. Overton for Choir)" by Traditional, Benjamin Watkins, The Choir of Magdalen College, Oxford, Mark Williams was released on April 22, 2022. The duration of Loch Lomond (Arr. D. Overton for Choir) is about 3 minutes long, at 3:29. Based on our data, "Loch Lomond (Arr. D. Overton for Choir)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "The Sweet and Merry Month: Music for May Morning". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Loch Lomond (Arr. D. Overton for Choir) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Loch Lomond (Arr. D. Overton for Choir) by Traditional, Benjamin Watkins, The Choir of Magdalen College, Oxford, Mark Williams having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stella splendens | Anonymous, Jessica Baran-Surel | B♭ Major | 4 | 6B | 105 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 75 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
The Day of Resurrection (Anastaseos Hemera) | Divna Ljubojevic | E♭ Minor | 2 | 2A | 107 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
Eg Veit I Himmerik Ei Borg (I Know A Stronghold In Heaven) | Traditional, Trio Mediæval | D Minor | 0 | 7A | 96 BPM | ||
Andro | Traditional, Jessica Baran-Surel | G Minor | 5 | 6A | 110 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM |
Section: 0.5679793357849121
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