"Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano)" by The Singers - Minnesota Choral Artists was released on December 1, 2010. With this song being about 5 minutes long, at 5:01, "Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano)" by The Singers - Minnesota Choral Artists is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Singers - Minnesota Choral Artists's "Lauridsen: Mid-Winter Songs" album is number 5 out of 21. On top of that, United States appears to be the country where this track was created. Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Chansons Des Roses: V. Dirait-On (Morten Lauridsen, piano) by The Singers - Minnesota Choral Artists to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
Cantate Domino | Giuseppe Ottavio Pitoni | B♭ Major | 2 | 6B | 140 BPM | ||
Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser | Hugo Distler, Sjaella, Ensemble Nobiles | A Minor | 1 | 8A | 98 BPM | ||
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
Weep, O mine eyes | John Bennet, Amarcord | A Minor | 1 | 8A | 121 BPM | ||
Reincarnations: No. 2, Anthony O'Daly | Samuel Barber, The Singers - Minnesota Choral Artists, Matthew Culloton | B Major | 1 | 1B | 118 BPM | ||
Shall I Compare Thee To A Summer's Day? (Sonnet No. 18) | Nils Lindberg, William Shakespeare, The Norwegian Soloists' Choir | A Minor | 1 | 8A | 80 BPM | ||
Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder! | Claude Debussy, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 0 | 11A | 68 BPM |
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