George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl's 'Serse: Sinfonia' came out on 1999. With Serse: Sinfonia being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl's "Handel: Ombra mai fù" album is number 5 out of 24. Serse: Sinfonia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse: Sinfonia by George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Symphony No. 31 in D Major, K. 297/300a "Paris": II. Andante (first edition) | Wolfgang Amadeus Mozart, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 0 | 10B | 65 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Alexander's Feast, concerto grosso: III. Allegro | George Frideric Handel, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 134 BPM | ||
Lute Sonata in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Lutz Kirchhof | A Major | 2 | 11B | 96 BPM | ||
Trio Sonata in D Major, Op. 3 No. 2: I. Grave | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | D♭ Major | 0 | 3B | 64 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 109 BPM | ||
Symphony in G Minor, Op. 6 No. 6: I. Allegro | Johann Christian Bach, Akademie für Alte Musik Berlin, Stephan Mai | D Major | 1 | 10B | 95 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Salve Regina in F minor: 5. O clemens | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 171 BPM |
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