"Symphony in G Minor, Op. 6 No. 6: I. Allegro" by Johann Christian Bach, Akademie für Alte Musik Berlin, Stephan Mai was released on 2004. The duration of Symphony in G Minor, Op. 6 No. 6: I. Allegro is about 3 minutes long, at 3:06. Based on our data, "Symphony in G Minor, Op. 6 No. 6: I. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Christian Bach, Akademie für Alte Musik Berlin's "J.C. Bach: Symphonies & Concertos" album is number 9 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Symphony in G Minor, Op. 6 No. 6: I. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony in G Minor, Op. 6 No. 6: I. Allegro by Johann Christian Bach, Akademie für Alte Musik Berlin, Stephan Mai to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 87 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
12 Polonaises, F. 12: No. 8 in E Minor | Wilhelm Friedemann Bach, Daniil Trifonov | E Minor | 0 | 9A | 66 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Symphony No. 1 in D Major, Hob. I:1: I. Presto | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | D Major | 2 | 10B | 139 BPM | ||
Sonata In D Major, Kk.119: Allegro | Domenico Scarlatti, Ivo Pogorelich | D Major | 1 | 10B | 126 BPM | ||
Requiem: Requiem: 9. Duetto (A, T). Qui Mariam absolvisti | Johann Christian Bach, Ruth Sandhoff, Colin Balzer, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | G Major | 1 | 9B | 81 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM |
Section: 1.079216718673706
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