"Blüthenkranz Johann Strauss'Scher Walzer, (after J. Strauss II's Aus den Bergen, Op. 292)" by Eduard Strauss, Johann Strauss Orchestra, Jack Rothstein was released on May 1, 1987. Blüthenkranz Johann Strauss'Scher Walzer, (after J. Strauss II's Aus den Bergen, Op. 292) appears to be safe for all ages as it is not explicit. This song is part of Vienna Premiere, Vol. 2 by Johann Strauss Orchestra, Jack Rothstein, Marilyn Hill Smith. The song's track number on the album is #2 out of 17 tracks. In terms of popularity, Blüthenkranz Johann Strauss'Scher Walzer, (after J. Strauss II's Aus den Bergen, Op. 292) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Blüthenkranz Johann Strauss'Scher Walzer, (after J. Strauss II's Aus den Bergen, Op. 292) by Eduard Strauss, Johann Strauss Orchestra, Jack Rothstein has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Blüthenkranz Johann Strauss'Scher Walzer, (after J. Strauss II's Aus den Bergen, Op. 292) being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
Vienna Sweets ("Wiener Bonbons"), Waltz, op.307 | Stuttgart Philharmonic Orchestra, Eduard Strauss | F Major | 2 | 7B | 185 BPM | ||
Il turco in Italia: Overture | Gioachino Rossini, Prague Sinfonia, Christian Benda | D Major | 2 | 10B | 72 BPM | ||
Frisch heran! Polka schnell, Op. 386 | Johann Strauss II, Franz Welser-Möst, Wiener Philharmoniker | C Major | 3 | 8B | 90 BPM | ||
Der lustige Krieg: " Was lange währt, wird gut (Violetta & Chor) " | Wiener Symphoniker, Eduard Strauss, Dorothea Siebert, Waldemar Kmentt, Christa Ludwig, Erich Majkut | E♭ Major | 5 | 5B | 120 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Act I: Pas De Caractere (Street Dancer & Torero Espada) (Minkus) | Mariinsky Orchestra | C Major | 4 | 8B | 142 BPM | ||
Act III: Finale (Minkus) | Mariinsky Orchestra | C Major | 10 | 8B | 117 BPM |
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