"Violin Sonata No. 1 in F minor Op. 80: II. Allegro brusco" by Sergei Prokofiev, Dmitry Sitkovetsky, Pavel Gililov was released on June 5, 2001. Since Violin Sonata No. 1 in F minor Op. 80: II. Allegro brusco is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 40 in the song's album "Sonatas and Dances for Violin". In this album, this song's track order is #5. In terms of popularity, Violin Sonata No. 1 in F minor Op. 80: II. Allegro brusco is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violin Sonata No. 1 in F minor Op. 80: II. Allegro brusco by Sergei Prokofiev, Dmitry Sitkovetsky, Pavel Gililov having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.2 in E flat major, Op.9 No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 129 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Piano Concerto No. 5 in G Major, Op. 55: IV. Larghetto | Sergei Prokofiev, Francesco Tristano, Russian National Orchestra, Mikhail Pletnev | E♭ Major | 0 | 5B | 64 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | F♯ Major | 0 | 2B | 71 BPM | ||
Symphony in C Minor, EG 119: IV. Finale: Allegro molto vivace | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 86 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Tybalt Recognizes Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B♭ Major | 1 | 6B | 117 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM |
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