"Elijah, Op. 70, MWV A25 / Part 1: "Lord God of Abraham, Isaac and Israel"" by Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel was released on January 1, 1997. The duration of Elijah, Op. 70, MWV A25 / Part 1: "Lord God of Abraham, Isaac and Israel" is about 3 minutes long, at 3:04. Based on our data, "Elijah, Op. 70, MWV A25 / Part 1: "Lord God of Abraham, Isaac and Israel"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Bryn Terfel, Renée Fleming, Edinburgh Festival Chorus, Orchestra of the Age of Enlightenment, Paul Daniel's "Mendelssohn: Elijah" album is number 16 out of 44. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Elijah, Op. 70, MWV A25 / Part 1: "Lord God of Abraham, Isaac and Israel" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elijah, Op. 70, MWV A25 / Part 1: "Lord God of Abraham, Isaac and Israel" by Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob.XXI,2: Pt. 3, By Thee with Bliss | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers | E♭ Major | 0 | 5B | 87 BPM | ||
Carmen, Act I: No.6 Scène : Carmen! sur tes pas nous nous pressons tous! (Jeunes gens/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | A Minor | 0 | 8A | 125 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 1. Gloria in excelsis Deo - 2. Et in terra pax (Chorus, Soprano, Alto, Tenor, Bass, Chorus). Allegro maestoso - Andantino mosso | Gioachino Rossini, Antonio Pappano, Serge Koussevitzky, Boston Symphony Orchestra | A Major | 0 | 11B | 82 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 90 BPM | ||
Myrthen, Op.25: 1. Widmung | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 111 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Stabat Mater, Op. 58: X. Quando corpus morietur (Andante con moto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | C Minor | 1 | 5A | 76 BPM |
Section: 0.618880033493042
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