Stabat Mater - Ed. Smith: 8. Juxta crucem tecum stare - Giovanni Bononcini, Christopher Keyte, London Philharmonic Orchestra, George Guest Information

Acousticness: 96%
Danceability: 28%
Energy: 12%
Instrumentalness: 0%
Liveness: 12%
Loudness: 61%
Speechiness: 5%
Valence: 28%
Popularity: 0%
Loudness: -23.341 dB

Summary

Giovanni Bononcini, Christopher Keyte, London Philharmonic Orchestra, George Guest's 'Stabat Mater - Ed. Smith: 8. Juxta crucem tecum stare' had a release date set for March 7, 1978. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Stabat Mater - Ed. Smith: 8. Juxta crucem tecum stare's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 15 in Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus by Giovanni Bononcini, George Guest, Felicity Palmer, Philip Langridge, Paul Esswood, Christopher Keyte, Choir of St. John's College, Cambridge, London Philharmonic Orchestra. In terms of popularity, Stabat Mater - Ed. Smith: 8. Juxta crucem tecum stare is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater - Ed. Smith: 8. Juxta crucem tecum stare BPM

The tempo marking of Stabat Mater - Ed. Smith: 8. Juxta crucem tecum stare by Giovanni Bononcini, Christopher Keyte, London Philharmonic Orchestra, George Guest is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Stabat Mater - Ed. Smith: 8. Juxta crucem tecum stare Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

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ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records