"Notre Dame, Op. 2: Act II Final Scene: Es flieht der Schlummer meine Augen (Archdeacon, Quasimodo, Esmeralda)" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick was released on January 1, 1989. Notre Dame, Op. 2: Act II Final Scene: Es flieht der Schlummer meine Augen (Archdeacon, Quasimodo, Esmeralda) appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Schmidt, F.: Notre Dame [Opera]". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Notre Dame, Op. 2: Act II Final Scene: Es flieht der Schlummer meine Augen (Archdeacon, Quasimodo, Esmeralda) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Notre Dame, Op. 2: Act II Final Scene: Es flieht der Schlummer meine Augen (Archdeacon, Quasimodo, Esmeralda) by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 1, Scherzo. Allegro vivace | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Das Buch mit sieben Siegeln (The Book with Seven Seals) – Pt. I: Nun sah ich und siehe | Franz Schmidt, Peter Schreier, Sylvia Greenberg, Carolyn Watkinson, Thomas Moser, Kurt Rydl, Vienna State Opera Chorus, ORF Radiosymphonieorchester, Lothar Zagrosek | G Major | 1 | 9B | 84 BPM | ||
Berceuse, Op. 16 (Version for Violin and Orchestra) | Gabriel Fauré, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Major | 0 | 10B | 95 BPM | ||
Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Symphony No. 4 in C Major: IV. Tempo primo (Allegro molto moderato) un poco sostenuto | Franz Schmidt, Berliner Philharmoniker, Kirill Petrenko | C Major | 0 | 8B | 101 BPM |
Section: 0.749920129776001
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