Erik Satie, Kun-Woo Paik made "Satie: 4 Ogives: No. 1 à J.P. Contamine de Latour" available on 1991. The duration of Satie: 4 Ogives: No. 1 à J.P. Contamine de Latour is about 3 minutes long, at 3:06. Based on our data, "Satie: 4 Ogives: No. 1 à J.P. Contamine de Latour" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in "Clair de Lune" - French Piano Music, so we believe that "Satie: 4 Ogives: No. 1 à J.P. Contamine de Latour" is a single. Based on our statistics, Satie: 4 Ogives: No. 1 à J.P. Contamine de Latour's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Satie: 4 Ogives: No. 1 à J.P. Contamine de Latour by Erik Satie, Kun-Woo Paik is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Ivan Sings "Andantino" | Aram Khachaturian, Christopher Ferreira | A♭ Major | 0 | 4B | 74 BPM | ||
Full Moon (Arr. Lewin for Guitar) | Ludovico Einaudi, Miloš Karadaglić | A♭ Major | 0 | 4B | 101 BPM | ||
The Moldau Piano Variation (From Ma Vlast, JB 1:112, Arr. for Piano by Svetoslav Karparov) | Bedřich Smetana, Gabriele Bagnati | E Minor | 2 | 9A | 116 BPM | ||
La Fille Sans Larmes | Lo Mimieux | C Major | 0 | 8B | 143 BPM | ||
Reminiscence | Ólafur Arnalds, Alice Sara Ott | D♭ Minor | 1 | 12A | 112 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |
Section: 0.6507384777069092
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