"Full Moon (Arr. Lewin for Guitar)" by Ludovico Einaudi, Miloš Karadaglić was released on April 16, 2021. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Einaudi: Full Moon (Arr. Lewin for Guitar) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Full Moon (Arr. Lewin for Guitar) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Full Moon (Arr. Lewin for Guitar) by Ludovico Einaudi, Miloš Karadaglić is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Elegy for Viola | Peter Cavallo, Joni Fuller | G Minor | 1 | 6A | 106 BPM | ||
The Arts and the Hours (Arr. for Guitar by Michael Lewin) | Jean-Philippe Rameau, Miloš Karadaglić | C Major | 1 | 8B | 108 BPM | ||
Piazzolla: Oblivion, tango | Astor Piazzolla, Julian Lloyd Webber | D Minor | 0 | 7A | 81 BPM | ||
The place where they go (Munich Session) | Carlos Cipa | D Major | 0 | 10B | 86 BPM | ||
Tu Sei | Ludovico Einaudi | D Minor | 0 | 7A | 176 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Dear, Dolores - Julien Marchal Rework | Illuminine, Julien Marchal | E Major | 0 | 12B | 107 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Adagio for Strings | Samuel Barber, HAUSER, Robert Ziegler, London Symphony Orchestra | B♭ Minor | 2 | 3A | 79 BPM |
Section: 0.6814255714416504
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