"Magnificat, D. 486: III. Gloria Patri, et Filio, et Spiritui Sancto: Allegro vivace" by Franz Schubert, Edith Lienbacher, Barbara Hölzl, Alexander Kaimbacher, Adrian Eröd, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz was released on December 1, 1996. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 20 in Franz Schubert: Messe in G. Musica sacra by Franz Schubert, Orpheus Orchester Wien, Vienna Chamber Choir, Johannes Prinz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Magnificat, D. 486: III. Gloria Patri, et Filio, et Spiritui Sancto: Allegro vivace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat, D. 486: III. Gloria Patri, et Filio, et Spiritui Sancto: Allegro vivace by Franz Schubert, Edith Lienbacher, Barbara Hölzl, Alexander Kaimbacher, Adrian Eröd, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Carnival of the Animals, R. 125: VII. Aquarium (Narrated by Jimmy Fallon) | Camille Saint-Saëns, Lang Lang, Gina Alice, Gewandhausorchester, Andris Nelsons, Jimmy Fallon | C Major | 4 | 8B | 103 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Recollections of Paganini, WoO 8, S190: IV. Campanella | Johann Nepomuk Hummel, Madoka Inui | A Minor | 1 | 8A | 138 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM |
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