Natalie Dessay made "Cent ans plus tard" available on October 21, 2022. With this song being about 5 minutes long, at 4:52, "Cent ans plus tard" by Natalie Dessay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Natalie Dessay's "La Belle au bois dormant" album is number 9 out of 12. On top of that, France appears to be the country where this track was created. Based on our statistics, Cent ans plus tard's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Cent ans plus tard by Natalie Dessay to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: 3 Songs, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 2: "Les oiseaux dans la charmille" (Olympia, Chorus) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon | C Major | 0 | 8B | 98 BPM | ||
Legrand: L'âme soeur à l'hameçon | Michel Legrand, Natalie Dessay, Eddy Marnay, François Laizeau, Pierre Boussaguet | C Major | 8 | 8B | 118 BPM | ||
Verdi: Rigoletto, Act I: "Gualtier Maldé" - "Caro nome" (Gilda, Borsa, Ceprano, Coro, Marullo) | Giuseppe Verdi, Natalie Dessay, Europäischer Kammerchor, Franck Ferrari, Matthew Rose, Roberto Alagna, Evelino Pidò, Concerto Köln | E Major | 0 | 12B | 165 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Legrand: La valse des lilas | Michel Legrand, Natalie Dessay, Eddy Marnay, François Laizeau, Pierre Boussaguet | D Major | 3 | 10B | 113 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 174 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Delibes: Lakmé, Act 1: "D'où viens-tu ? Que veux-tu ?" (Lakmé, Gerald) | Léo Delibes, Michel Plasson, Gregory Kunde, Natalie Dessay, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | D♭ Major | 1 | 3B | 65 BPM |
Section: 0.5776851177215576
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