Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Samuel Ramey, Richard Stilwell, Felicity Lott, Isabel Buchanan, Willard White's 'Le Nozze Di Figaro (The Marriage of Figaro, K. 492); Act III, Ecco La Marcia' came out on January 1, 1984. The duration of Le Nozze Di Figaro (The Marriage of Figaro, K. 492); Act III, Ecco La Marcia is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Le Nozze Di Figaro (The Marriage of Figaro, K. 492); Act III, Ecco La Marcia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. In terms of popularity, Le Nozze Di Figaro (The Marriage of Figaro, K. 492); Act III, Ecco La Marcia is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Le Nozze Di Figaro (The Marriage of Figaro, K. 492); Act III, Ecco La Marcia by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Samuel Ramey, Richard Stilwell, Felicity Lott, Isabel Buchanan, Willard White is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical symphony": IV. Finale - Molto vivace | Sergei Prokofiev, Philippe Jordan, Orchestre de l'Opéra National de Paris | D Major | 1 | 10B | 80 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Les Contes d'Hoffmann (The Tales of Hoffman): Scintille, diamant! | Jacques Offenbach, Samuel Ramey, Munich Radio Orchestra, Julius Rudel | D Major | 2 | 10B | 147 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 108 BPM | ||
Guiseppe Verdi: Life and Works: Requiem: 'Rex tremendae' | Freddie Jones, Jeremy Siepmann | D♭ Major | 3 | 3B | 83 BPM | ||
Piano Quintet in A Major, D. 667, Op. 114 "Trout": V. Allegro giusto | Franz Schubert, L'Archibudelli | A Major | 1 | 11B | 82 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: IV. Allegro animato e grazioso | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | B♭ Major | 2 | 6B | 106 BPM | ||
Caro Mio Bene | Tomasso Giordani, Sir Neville Marriner, Academy of St. Martin in the Fields, Michele Esposito | E♭ Major | 0 | 5B | 103 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Representation of Chaos | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D♭ Major | 1 | 3B | 93 BPM |
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