Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta made "Carmen Fantasy, Op. 25: I. Moderato" available on January 1, 1987. The duration of Carmen Fantasy, Op. 25: I. Moderato is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: I. Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Sarasate: Carmen-Fantasy / Ravel: Tzigane / Saint-Saëns: Introduction & Rondo Capriccioso; Havanaise / Chausson: Poème". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Carmen Fantasy, Op. 25: I. Moderato is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Carmen Fantasy, Op. 25: I. Moderato by Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Black Orpheus: Manha de Carnaval | Luiz Bonfá, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 97 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Moto perpetuo, Op. 11 | Itzhak Perlman, Samuel Sanders | C Major | 5 | 8B | 182 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | C Major | 2 | 8B | 79 BPM | ||
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) | Richard Strauss, Itzhak Perlman, Emanuel Ax | A♭ Major | 2 | 4B | 81 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Rachmaninov: 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. for Violin and Piano) | Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | B♭ Major | 0 | 6B | 101 BPM | ||
Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Itzhak Perlman, Samuel Sanders | A Minor | 5 | 8A | 96 BPM |
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