Nikolai Rimsky-Korsakov, Itzhak Perlman, Samuel Sanders made "Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee" available on October 3, 2005. With Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #14 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee by Nikolai Rimsky-Korsakov, Itzhak Perlman, Samuel Sanders has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra | D♭ Major | 1 | 3B | 92 BPM | ||
Allegretto in the style of Boccherini | Itzhak Perlman, Samuel Sanders | G Major | 2 | 9B | 117 BPM | ||
Rimsky-Korsakov / Arr. Heifetz for Violin and Piano: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Itzhak Perlman, Samuel Sanders | A Minor | 5 | 8A | 96 BPM | ||
I Could Have Done More | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 102 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Brahms: Violin Sonata No. 2 in A Major, Op. 100: III. Allegro grazioso (quai andante) | Johannes Brahms, Itzhak Perlman | A Major | 1 | 11B | 105 BPM | ||
Laura: Theme (1944) | David Raksin, Itzhak Perlman, John Williams, Boston Pops Orchestra | C Major | 3 | 8B | 98 BPM | ||
Chaminade / Arr Kreisler: Sérénade espagnole | Cécile Chaminade, Itzhak Perlman | D Major | 2 | 10B | 101 BPM | ||
La Vida breve (2006 Digital Remaster): Danse espagnole No.1 | Itzhak Perlman, Samuel Sanders | A Minor | 3 | 8A | 113 BPM | ||
Popper: Dance of the Elves, Op. 39 | David Popper, Edgar Moreau, Pierre-Yves Hodique | D Major | 2 | 10B | 88 BPM |
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