Johann Sebastian Bach, Lang Lang made "Goldberg Variations, BWV 988: Variatio 11 a 2 Clav. - Live at Thomaskirche Leipzig / 2020" available on February 12, 2021. The duration of Goldberg Variations, BWV 988: Variatio 11 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 11 a 2 Clav. - Live at Thomaskirche Leipzig / 2020's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. Goldberg Variations, BWV 988: Variatio 11 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Goldberg Variations, BWV 988: Variatio 11 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, James Gilchrist, Matthew Rose | A♭ Minor | 1 | 1A | 76 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | ||
Pièces de clavecin, Livre II, Ordre 6: VIII. Le Moucheron | François Couperin, Angela Hewitt | B♭ Major | 2 | 6B | 89 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: IV. Sarabanda: Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 116 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | B♭ Major | 4 | 6B | 138 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM | ||
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
Kinderszenen, Op. 15: XIII. Der Dichter spricht | Robert Schumann, Lang Lang | G Major | 0 | 9B | 135 BPM | ||
St. Matthew Passion, BWV 244, Pt. 2: No. 36. Und der Hohepriester antwortete | Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, Choir of King's College, Cambridge, James Gilchrist, Matthew Rose | B Major | 2 | 1B | 91 BPM |
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