- BPM
- 76
- Key
- A♭ Minor
- Camelot
- 1A
St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat - Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, James Gilchrist, Matthew Rose Information
- Acousticness
- 96%
- Danceability
- 30%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -20.33 dB
Summary
"St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat" by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, James Gilchrist, Matthew Rose was released on March 27, 2020. The duration of St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 68 in Bach: St. Matthew Passion by Johann Sebastian Bach, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat BPM
The tempo marking of St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat by Johann Sebastian Bach, Stephen Cleobury, Academy of Ancient Music, James Gilchrist, Matthew Rose is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
St. Matthew Passion, BWV 244, Pt. 2: No. 43. Sie hielten aber einen Rat Key
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | St. John Passion, BWV 245, Part 2: No. 29, Rezitativ "Und von Stund an nahm sie der Jünger zu sich" (Evangelist, Jesus) | Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs | F♯ Minor | 2 | 11A | 94 BPM | |
 | Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 26, Vollendet ist das große Werk | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 1 | 6B | 116 BPM | |
 | Matthäus Passion, Prima Parte: 19. Recitative (Tenor) With Chorale: O Schmerz! Hier Zittert Das Gequälte Herz | Stephen Cleobury, Martyn Hill, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, David Thomas, Michael Chance, Emma Kirkby, Michael George | E Minor | 1 | 9A | 130 BPM | |
 | Chromatic Fantasy and Fuge, In D Minor BWV 903, Chromatische Fantasie and Fuge, D Moll BWV 903: Fantasie | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | C Minor | 3 | 5A | 76 BPM | |
 | Jesu, meine Freude, BWV 227: II. Es ist nun nichts | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | A♭ Minor | 1 | 1A | 105 BPM | |
 | I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Seconda Parte, Choral (Coro): Gib, Daß Ich Tu Mit Fleiß | Holland Boys Choir; Netherlands Bach Collegium, Peter Frankenberg, Sytse Buwalda, Frederique Chauvet, Bas Ramselaar, Ruth Holton, Johann Sebastian Bach, Knut Schoch, Marion Moonen, Ofer Frenkel, Pieter Jan Leusink | E♭ Major | 2 | 5B | 75 BPM | |
| I. Es Ist Dir Gesagt, Mensch, Was Gut Ist BWV 45, Prima Parte, Coro: Es Ist Dir Gesagt, Mensch, Was Gut Ist | Holland Boys Choir; Netherlands Bach Collegium, Ofer Frenkel, Knut Schoch, Bas Ramselaar, Sytse Buwalda, Peter Frankenberg, Johann Sebastian Bach, Marion Moonen, Frederique Chauvet, Ruth Holton, Pieter Jan Leusink | E♭ Major | 3 | 5B | 86 BPM | |
 | St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | |
 | Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | |
 | Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: II. Allegro con freschezza, e deciso | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | D Major | 2 | 10B | 105 BPM |
- ISRC
- GBMY51903743
- Label
- L-M Records/RCA Records
Section: 0.5439648628234863
End: 0.5475685596466064