Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max made "St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus)" available on January 1, 1996. Since St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 68 in Bach, J.S.: St. Matthew Passion by Johann Sebastian Bach, Hermann Max. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) by Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Morgengesang am Schöpfungsfeste, Wq. 239, H. 779: No. 5, Herr! Gott! Barmherzig und gnädig | Carl Philipp Emanuel Bach, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | E♭ Major | 2 | 5B | 93 BPM | ||
Piramo e Tisbe: Part I: Duet: Che mai temer potrei (Tisbe, Piramo) | Johann Adolf Hasse, Barbara Schlick, Ann Monoyios, Wilfried Jochens, La Stagione Frankfurt, Michael Schneider | D♭ Major | 1 | 3B | 138 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 89 BPM | ||
Deus judicium tuum, TWV 7:7: Et dominabitur a mari usque ad mare (Choir) | Georg Philipp Telemann, Barbara Schlick, Martina Lins, Christoph Prégardien, Stephen Varcoe, Hans-Georg Wimmer, Michael Schneider, Karl Kaiser, Hans-Peter Westermann, Pieter Dhont, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | F Major | 0 | 7B | 120 BPM | ||
Gesu al Calvario, ZWV 62: Chorus: Questo e il monte salutare (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Das Veilchen in G Major, K. 476 | Wolfgang Amadeus Mozart, Tini Mathot, Klaus Mertens, Ton Koopman, Amsterdam Baroque Orchestra | D♭ Major | 0 | 3B | 171 BPM | ||
Luther in Worms, Op. 36, Act II "Before the Emperor and the Empire": So dieses Werk aus Menschen ist | Ludwig Siegfried Meinardus, Markus Flaig, Concerto Köln, Hermann Max | F Major | 1 | 7B | 88 BPM | ||
Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto) | Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki Suzuki | F Minor | 0 | 4A | 103 BPM | ||
De lamentatione Jeremiæ prophetæ, Lectio prima: No. 6, Largo assai. Lod | Francesco Durante, Monika Frimmer, Collegium Cartusianum, Peter Neumann | F♯ Major | 1 | 2B | 87 BPM |
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