St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus)
Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max
Bach, J.S.: St. Matthew Passion
6:40 January 1, 1996
BPM
111
Key
D♭ Major
Camelot
3B

Embed

Share Link

St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) - Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max Information

Acousticness
96%
Danceability
56%
Energy
13%
Instrumentalness
0%
Liveness
18%
Loudness
65%
Speechiness
4%
Valence
58%
Popularity
Loudness
-20.956 dB

Summary

Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max made "St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus)" available on January 1, 1996. Since St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 68 in Bach, J.S.: St. Matthew Passion by Johann Sebastian Bach, Hermann Max. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) BPM

The tempo marking of St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) by Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.

St. Matthew Passion, BWV 244: Pt. I: Kommt, ihr Tochter, helft mir klagen (Chorus) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Morgengesang am Schöpfungsfeste, Wq. 239, H. 779: No. 5, Herr! Gott! Barmherzig und gnädig by Carl Philipp Emanuel Bach, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxMorgengesang am Schöpfungsfeste, Wq. 239, H. 779: No. 5, Herr! Gott! Barmherzig und gnädigCarl Philipp Emanuel Bach, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxE♭ Major25B93 BPM
Piramo e Tisbe: Part I: Duet: Che mai temer potrei (Tisbe, Piramo) by Johann Adolf Hasse, Barbara Schlick, Ann Monoyios, Wilfried Jochens, La Stagione Frankfurt, Michael SchneiderPiramo e Tisbe: Part I: Duet: Che mai temer potrei (Tisbe, Piramo)Johann Adolf Hasse, Barbara Schlick, Ann Monoyios, Wilfried Jochens, La Stagione Frankfurt, Michael SchneiderD♭ Major13B138 BPM
Kuhnau: Magnificat in C Major: V. Chorus. Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit"Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische KantoreiD♭ Major23B109 BPM
III. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins Gericht by Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan LeusinkIII. Herr, Gehe Nicht Ins Gericht BWV 105, 1. Coro: Herr, Gehe Nicht Ins GerichtHolland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Bas Ramselaar, Marjon Strijk, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Peter Frankenberg, Pieter Jan LeusinkF♯ Minor211A89 BPM
Deus judicium tuum, TWV 7:7: Et dominabitur a mari usque ad mare (Choir) by Georg Philipp Telemann, Barbara Schlick, Martina Lins, Christoph Prégardien, Stephen Varcoe, Hans-Georg Wimmer, Michael Schneider, Karl Kaiser, Hans-Peter Westermann, Pieter Dhont, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxDeus judicium tuum, TWV 7:7: Et dominabitur a mari usque ad mare (Choir)Georg Philipp Telemann, Barbara Schlick, Martina Lins, Christoph Prégardien, Stephen Varcoe, Hans-Georg Wimmer, Michael Schneider, Karl Kaiser, Hans-Peter Westermann, Pieter Dhont, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxF Major07B120 BPM
Gesu al Calvario, ZWV 62: Chorus: Questo e il monte salutare (Chorus) by Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxGesu al Calvario, ZWV 62: Chorus: Questo e il monte salutare (Chorus)Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann MaxB Minor210A98 BPM
Das Veilchen in G Major, K. 476 by Wolfgang Amadeus Mozart, Tini Mathot, Klaus Mertens, Ton Koopman, Amsterdam Baroque OrchestraDas Veilchen in G Major, K. 476Wolfgang Amadeus Mozart, Tini Mathot, Klaus Mertens, Ton Koopman, Amsterdam Baroque OrchestraD♭ Major03B171 BPM
Luther in Worms, Op. 36, Act II Luther in Worms, Op. 36, Act II "Before the Emperor and the Empire": So dieses Werk aus Menschen istLudwig Siegfried Meinardus, Markus Flaig, Concerto Köln, Hermann MaxF Major17B88 BPM
Christ lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto) by Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki SuzukiChrist lag in Todes Banden, BWV 4: Duet. Den Tod niemand zwingen kunnt (Soprano, Alto)Johann Sebastian Bach, Yumiko Kurisu, Akira Tachikawa, Bach Collegium Japan, Masaaki SuzukiF Minor04A103 BPM
De lamentatione Jeremiæ prophetæ, Lectio prima: No. 6, Largo assai. Lod by Francesco Durante, Monika Frimmer, Collegium Cartusianum, Peter NeumannDe lamentatione Jeremiæ prophetæ, Lectio prima: No. 6, Largo assai. LodFrancesco Durante, Monika Frimmer, Collegium Cartusianum, Peter NeumannF♯ Major12B87 BPM
ISRC
US2TL0940501
Label
L-M Records/RCA Records

Section: 0.9115264415740967

End: 0.9159023761749268