"Die Meistersinger von Nürnberg, WWV 96: Prelude" by Richard Wagner, Orchestre de Paris, Daniel Barenboim was released on January 1, 1995. Die Meistersinger von Nürnberg, WWV 96: Prelude appears to be safe for all ages as it is not explicit. This song is part of Wagner: Orchestral Music by Richard Wagner, Orchestre de Paris, Daniel Barenboim. The song's track number on the album is #1 out of 8 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Die Meistersinger von Nürnberg, WWV 96: Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, WWV 96: Prelude by Richard Wagner, Orchestre de Paris, Daniel Barenboim has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg, WWV 96: Prelude being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Tristan und Isolde, WWV 90: Prelude (Excerpt) | Richard Wagner, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 66 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | E Major | 0 | 12B | 92 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Thomas: Act I: Soma, Soma … (Chorus, Thomas) | Einojuhani Rautavaara, Jorma Hynninen, Peter Lindroos, Matti Piipponen, Sini Rautavaara, Marko Putkonen, Antti Suhonen, Anssi Hirvonen, Hannu Sokka, Jaakko Hietikko, Anitta Juhala-Jolkkonen, Joensuu Music School Choir, Savonlinna Festival Opera Choir, Joensuu City Orchestra, Pekka Haapasalo | A♭ Minor | 2 | 1A | 168 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Lohengrin: Bridal Chorus | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | B♭ Major | 1 | 6B | 70 BPM | ||
Die Walküre / Dritter Aufzug: "Leb wohl, du kühnes, herrliches Kind" | Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | C Major | 6 | 8B | 80 BPM |
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