Francesco Geminiani, Concerto Köln made "Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai" available on September 20, 2019. The duration of Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francesco Geminiani, Concerto Köln's "Geminiani: Quinta Essentia" album is number 2 out of 34. Based on our statistics, Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto grosso, Op. 7, No. 2 in D Minor: II. Allegro assai by Francesco Geminiani, Concerto Köln to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Sonata No. 1 in A Major: IV. 04 4. Allegro | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Symphony in D Major, J-C 16: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 122 BPM | ||
Ouverture in E Minor, TWV 55:e1: II. Rejouissance | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 1 | 2A | 136 BPM | ||
Concerto No 5 in G minor - Presto | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 1 | 11A | 83 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Organ Concerto No.5 in F, Op.4 No.5 HWV 293: 3. Alla siciliana | George Frideric Handel, Accademia Bizantina, Ottavio Dantone | A♭ Major | 0 | 4B | 119 BPM | ||
Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM |
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