"Sylvia: Act III: Divertissement: Andante" by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia was released on January 17, 1996. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 33 in Delibes: Sylvia (Complete Ballet) / Saint-Saens: Henry Viii by Léo Delibes, Razumovsky Symphony Orchestra. In terms of popularity, Sylvia: Act III: Divertissement: Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sylvia: Act III: Divertissement: Andante by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Cologne New Philharmonic Orchestra, Volker Hartung | A Minor | 2 | 8A | 100 BPM | ||
Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
La Bayadère / Act 1: No.5 Andante sostenuto | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 90 BPM | ||
Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) | Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini | E♭ Minor | 2 | 2A | 136 BPM | ||
Les biches Suite, FP 36b: III. Rag-Mazurka | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Le Carnaval des Animaux, R. 125: IV. Tortues | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène Mercier | B♭ Major | 0 | 6B | 164 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Young Juliet | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 0 | 7B | 83 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Lakmé / Act 2: Lakmé! Lakmé! C'est toi! | Léo Delibes, Alain Vanzo, Dame Joan Sutherland, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 1 | 4B | 169 BPM |
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