- BPM
- 136
- Key
- E♭ Minor
- Camelot
- 2A
Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) - Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini Information
- Acousticness
- 98%
- Danceability
- 21%
- Energy
- 18%
- Instrumentalness
- 86%
- Liveness
- 13%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 5%
- Loudness
- -14.94 dB
Summary
"Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig)" by Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini was released on January 1, 1982. Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Schumann: Symphony No.3 In E Flat Major "Rhenish", Op. 97;"Manfred" Overture, Op. 115". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) BPM
With Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) by Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Symphony No.3 in E flat, Op.97 - "Rhenish": 2. Scherzo (Sehr mäßig) Key
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | |
 | Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | |
 | Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | |
 | Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | |
 | 3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | |
 | Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | |
 | Chopin: 12 Études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Frédéric Chopin, Boris Berezovsky | F Minor | 2 | 4A | 84 BPM | |
 | Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | |
 | Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM |
- ISRC
- DEF058002032
- Label
- L-M Records/RCA Records
Section: 0.8771648406982422
End: 0.8836681842803955